{"id":70,"date":"2008-08-07T02:11:17","date_gmt":"2008-08-07T00:11:17","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=70"},"modified":"2008-08-07T02:19:29","modified_gmt":"2008-08-07T00:19:29","slug":"literatura-gallega-la-vida-y-obra-de-rosalia-de-castro-4","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/literatura-gallega-la-vida-y-obra-de-rosalia-de-castro-4\/","title":{"rendered":"Literatura gallega: La vida y obra de Rosal\u00eda de Castro (4)"},"content":{"rendered":"

<– Viene de la 3\u00aa parte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contin\u00faa en la 5\u00aa parte –><\/font><\/p>\n

De Cantares gallegos<\/em> a Follas novas <\/em>(continuaci\u00f3n)<\/u><\/font><\/p>\n

La solidaridad y la denuncia<\/font><\/p>\n

Volviendo nuevamente a las \u00abD\u00faas palabras da autora\u00bb, encontramos:<\/font><\/p>\n

\u00ab… que si non pode sen\u00f3n ca morte despirse o esprito das envolturas da carne, menos pode o poeta prescindir do medio en que vide e da naturaza que o rodea, ser alleo a seu tempo e deixar de reproducir, hastra sin pensalo, a eterna e laiada queixa que hoxe eisalan t\u00f3dolos labios. Por eso i\u00f1oro o que haxa no meu libro dos propios pesares ou dos alleos, anque ben podo telos todos por meus\u00bb<\/font><\/p>\n

[\u00ab… que si no puede sino con la muerte despedirse el esp\u00edritu de las envolturas de la carne, menos puede el poeta prescindir del medio en que vive y de la naturaleza que lo rodea, ser ajeno a su tiempo y dejar de reproducir, hasta sin pensarlo, la eterna y sentida queja que hoy exhalan todos los labios. Por eso ignoro lo que haya en mi libro de los propios pesares y de los ajenos, aunque bien puedo tenerlos todos por m\u00edos\u00bb]<\/font><\/p>\n

Esta afirmaci\u00f3n nos sit\u00faa en la dimensi\u00f3n solidaria de Rosal\u00eda, del poeta que ojea su entorno y pone su pluma al servicio de los d\u00e9biles, de los desheredados, de los expulsados de la propia tierra… el terrible azote de la emigraci\u00f3n, censurado por Rosal\u00eda, visto por ella como una aut\u00e9ntica aniquilaci\u00f3n del pa\u00eds cuando, desde sectores sociales democr\u00e1ticos y progresistas, se defend\u00eda el \u00e9xodo de los gallegos a Am\u00e9rica como un \u00abdereito\u00bb [\u00abderecho\u00bb]. La denuncia de la emigraci\u00f3n aparece en Follas novas<\/em> desde dos perspectivas:<\/font><\/p>\n

— Las de los hombres, que, embargados sus bienes y desahuciados, se lanzan a la aventura sin esperanzas de retorno:<\/font><\/p>\n

\u00a1Van a deixala patria…!
\nForzoso, mais supremo sacrificio.
\nA miseria est\u00e1 negra en torno deles,
\n\u00a1ai!, \u00a1adiante est\u00e1 o abismo…!<\/font><\/p>\n

— La de las mujeres (\u00abVi\u00fadas dos vivos e vi\u00fadas dos mortos\u00bb [\u00abViudas de los vivos y viudas de los muertos\u00bb] de las que Rosal\u00eda nos dice: \u00ab…e as\u00ed, abandonadas, chorando o seu desamparo, pasan amarga vida antre as incertidumbres da esperanza, a negrura da soidade i as angustias dunha perene miseria.\u00bb [\u00ab… y as\u00ed, abandonadas, llorando su desamparo, pasan amarga vida entre las incertidumbres de la esperanza, la oscuridad de la soledad y las angustias de una eterna miseria\u00bb].
\nConstruye Rosal\u00eda una epopeya popular que tiene por protagonistas a estas \u00abvalerosas hero\u00ednas\u00bb. Los poemas se convierten en una denuncia de \u00abaqu\u00e9s que ten fama de honrados na vila\u00bb [\u00abaquellos que tienen fama de honrados en la villa\u00bb] y que con sus leyes provocan la miseria de todo un pueblo. En algunos poemas la resignaci\u00f3n se asume como la \u00fanica salida (\u00ab\u00bfPor qu\u00e9?), pero en otros mismo se llega a justificar la venganza como salida individual (\u00abA xustiza por la man\u00bb [\u00abLa justicia por la mano\u00bb]). (Curiosamente este poema figura en el apartado \u00ab\u00a1Do \u00edntimo!\u00bb)<\/font><\/p>\n

M\u00e1s no es s\u00f3lo el tema de la emigraci\u00f3n el \u00fanico que aparece en Follas novas<\/em>. Aparece otro muy importante que es la hipocres\u00eda social, representada por los \u00abgrandes da terra\u00bb [\u00abgrandes de la tierra\u00bb] (\u00abTembra un neno no h\u00famido p\u00f3rtico [\u00abTiembla un ni\u00f1o en el h\u00famedo p\u00f3rtico\u00bb]) y por la iglesia. En este aspecto es de resaltar la cr\u00edtica al negocio de los entierros (\u00abDe balde…\u00bb [\u00abGr\u00e1tis…\u00bb], o la funci\u00f3n social del matrimonio y su car\u00e1cter opresivo para la mujer (\u00abDecides que o matrimonio\u00bb [\u00abDec\u00eds que el matrimonio\u00bb].<\/font><\/p>\n

Cuento gallego<\/font><\/p>\n

El \u00abRexurdimento\u00bb es fundamentalmente un fen\u00f3meno po\u00e9tico. La importancia de la prosa fue mucho menor. Rosal\u00eda, sin embargo, nos dej\u00f3 tres textos en prosa. Dos son los pr\u00f3logos a las obras po\u00e9ticas y el otro el Conto gallego, <\/em>publicado p\u00f3stumamente en 1923. En \u00e9l se narra la apuesta realizada por dos hombres, sobre si uno de ellos consigue de una mujer palabra de casamiento el mismo d\u00eda en que \u00e9sta entierra a su marido. De forma ir\u00f3nica el relato nos muestra la concepci\u00f3n maniquea que estos dos hombres tienen de la mujer: esposa y madre mod\u00e9lica o mujer fr\u00edvola y libertina.<\/font><\/p>\n

<– Viene de la 3\u00aa parte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contin\u00faa en la 5\u00aa parte –><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"

<– Viene de la 3\u00aa parte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contin\u00faa en la 5\u00aa parte –> De Cantares gallegos a Follas novas (continuaci\u00f3n) La solidaridad y la denuncia Volviendo nuevamente a las \u00abD\u00faas palabras da autora\u00bb, encontramos: \u00ab… que si non pode sen\u00f3n ca morte despirse o esprito das envolturas da carne, menos pode\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[1016,1012,1100,1052,1143,1144,1145,1043,1014,1154,1156,1153,1025,1085,1119,1019,1150],"class_list":["post-70","post","type-post","status-publish","format-standard","hentry","category-literatura","tag-arte","tag-ave","tag-gallego","tag-iglesia","tag-justicia","tag-leyes","tag-libro","tag-literatura-2","tag-naturaleza","tag-poema","tag-poemas","tag-prosa","tag-rosa","tag-rosal","tag-social","tag-solidaridad","tag-textos"],"yoast_head":"\nLiteratura gallega: La vida y obra de Rosal\u00eda de Castro (4) - Blog Cultureduca 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Viene de la 3\u00aa parte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contin\u00faa en la 5\u00aa parte –> De Cantares gallegos a Follas novas (continuaci\u00f3n) La solidaridad y la denuncia Volviendo nuevamente a las \u00abD\u00faas palabras da autora\u00bb, encontramos: \u00ab… que si non pode sen\u00f3n ca morte despirse o esprito das envolturas da carne, menos pode\u2026 Seguir 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