{"id":42,"date":"2008-06-30T00:54:03","date_gmt":"2008-06-29T22:54:03","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=42"},"modified":"2015-12-29T21:09:31","modified_gmt":"2015-12-29T19:09:31","slug":"literatura-medieval-galaico-portuguesa-1","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/literatura-medieval-galaico-portuguesa-1\/","title":{"rendered":"La l\u00edrica galaico-portuguesa (5)"},"content":{"rendered":"

<– <\/font>Viene de la\u00a0cuarta parte<\/font><\/a><\/p>\n

La Cantiga de escarnio y maldecir:<\/u><\/p>\n

\u00a0La Cantiga sat\u00edrica galaico-portuguesa seguramente es resultado de la influencia del sirvent\u00e9s<\/em> provenzal sobre una canci\u00f3n sat\u00edrica aut\u00f3ctona, de tradici\u00f3n oral. En el sirvent\u00e9s provenzal el trovador reflejaba opiniones y sentimientos sobre la sociedad. Debido a ello, ten\u00eda un car\u00e1cter social y sat\u00edrico.<\/p>\n

Las Cantigas de escarnio<\/em> y maldecir<\/em>, trataron todos los temas\u00a0y motivos sociales con un car\u00e1cter m\u00e1s burlesco que moralista. Se conviertieron as\u00ed en documentos important\u00edsimos de la civilizaci\u00f3n medieval, proporcionando datos esenciales para estudiar la sociedad de la \u00e9poca y sus costumbres.<\/p>\n

Pueden ser consideradas como una cr\u00f3nica de la sociedad y vida de la \u00e9poca, por lo que tienen un enorme hist\u00f3rico, psicol\u00f3gico y sociol\u00f3gico.<\/p>\n

Las formas de la s\u00e1tira que encontramos en la l\u00edrica galaico-portuguesa siguen los motivos esenciales del sirvent\u00e9s provenzal: la s\u00e1tira moral, personal, pol\u00edtica y literaria.<\/p>\n

Debemos diferencia dos tipos de canci\u00f3n sat\u00edrica:<\/p>\n

— De escarnio<\/strong>, que utiliza palabras encubiertas o de doble interpretaci\u00f3n.
\n— De madecir<\/strong>, que utiliza palabras directas.\n<\/p>\n

Tambi\u00e9n debemos destacar el tenz\u00f3n<\/em>, que es un subg\u00e9nero dialogado en qeu dos poetas discuten alrededor de un tema determinado, alternando las voces a lo largo del poema.<\/p>\n

Entre los temas y motivos m\u00e1s importanes de las Cantigas sat\u00edricas de esta literatura, tenemos:<\/p>\n

— S\u00e1tira moral:<\/strong> de car\u00e1cter serio y elevado, que expresa temas como la b\u00fasqueda de la verdad, o el lamento y la cr\u00edtica por su ausencia,\u00a0el desenga\u00f1o de la vida, las mentiras de amor, etc.<\/p>\n

— S\u00e1tira pol\u00edtica y militar:<\/strong> sobre todo el tema de Alfonso X y la guerra de Granada, en que el rey Alfonso, ante el peligro de la revuelta de los musulmames, se prepar\u00f3 para sofocar la rebeli\u00f3n, siendo traicionado por los infanz\u00f3ns y muchos hombres ricos, que en vez de acompa\u00f1arlo faltaron a su deber de vasallos. En otra cantiga\u00a0refiere como algunos caballeros huyeron de forma cobarde delante de los moros en la batalla de Alcal\u00e1.<\/p>\n


\nEscena de batalla de las cantigas de Alfonso X<\/font>\n<\/p>\n

— S\u00e1tira literaria:<\/strong> generalmente es una parodia de otro tipo de cantiga, por ejemplo, los t\u00f3picos de amor cort\u00e9s, de la canci\u00f3n de xesta<\/em>, de planto; ataques entre poetas y cr\u00edtica de sus cualidades para trovar, etc.<\/p>\n

— S\u00e1tira social:<\/strong> centrada en la burla de infanz\u00f3ns, soldadeiras, abadesas, homosexuales, matrimonios desiguales, defectos f\u00edsicos, etc.<\/p>\n

En cuanto a su forma, las cantigas sat\u00edricas pueden ser de maestr\u00eda<\/em> o de refr\u00e1n<\/em>. Son abundantes los elementos narrativos, y presentan la primera estrofa o motivo que despu\u00e9s ser\u00e1 desarrollado en las siguientes, empleando la iron\u00eda, los juegos de palabras e incluso un paralelismo narrativo con la primera estrofa.<\/p>\n

El lenguaje es popular, realista y m\u00e1s variado que el de las cantigas amorosas, convencional y menos evolucionado.<\/p>\n

<– <\/font>Viene de la\u00a0cuarta parte<\/font><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font>Sigue en la\u00a0sexta parte<\/a><\/font> –><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"

<– Viene de la\u00a0cuarta parte La Cantiga de escarnio y maldecir: \u00a0La Cantiga sat\u00edrica galaico-portuguesa seguramente es resultado de la influencia del sirvent\u00e9s provenzal sobre una canci\u00f3n sat\u00edrica aut\u00f3ctona, de tradici\u00f3n oral. En el sirvent\u00e9s provenzal el trovador reflejaba opiniones y sentimientos sobre la sociedad. Debido a ello, ten\u00eda un\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":75,"featured_media":-1,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[1010,1016,1140,1034,1060,1147,1043,1027,1154,1025,1119,1021],"class_list":["post-42","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura","tag-amor","tag-arte","tag-escena","tag-guerra","tag-lengua","tag-lenguaje","tag-literatura-2","tag-militar","tag-poema","tag-rosa","tag-social","tag-sociedad"],"yoast_head":"\nLa l\u00edrica galaico-portuguesa (5) - Blog Cultureduca educativa<\/title>\n<meta name=\"description\" content=\"La l\u00edrica galaico-portuguesa (5) - Blog Cultureduca educativa -\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/natureduca.com\/culturblog\/literatura-medieval-galaico-portuguesa-1\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La l\u00edrica galaico-portuguesa (5) - 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