{"id":37,"date":"2023-07-14T03:01:21","date_gmt":"2023-07-14T01:01:21","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=37"},"modified":"2023-07-14T03:01:21","modified_gmt":"2023-07-14T01:01:21","slug":"la-lirica-galaico-portuguesa-2","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/","title":{"rendered":"La l\u00edrica galaico-portuguesa (2)"},"content":{"rendered":"

<– Viene de la primera parte<\/a><\/p>\n

Las Cantigas de amigo<\/span><\/p>\n

Las Cantigas de amigo nacen del contacto de la l\u00edrica popular pre-trovadoresca, en donde la mujer ten\u00eda un marcado protagonismo, siendo ella quien manifestaba sus sentimientos, con l\u00edrica cortesana\u00a0en lengua romance de origen occit\u00e1nico. El protagonismo femenino aproxima las Cantigas de amigo a las moz\u00e1rabes Kharxas<\/em>.<\/p>\n

Se caracteriza por la presencia de una voz femenina sujeto del poema que manifiesta sus sentimientos, por expresar una er\u00f3tica femenina, por las variantes de los conflictos resultantes de la ausencia del \u00abamigo\u00bb, y por la repetici\u00f3n de versos o palabras (paralelismo, refr\u00e1n y leixapr\u00e9n). El ambiente social de las Cantigas de amigo es el rural o burgu\u00e9s, en una atm\u00f3sfera familiar y de intimidades dom\u00e9sticas.<\/p>\n

Sus personajes son:<\/p>\n

— La \u00abamiga\u00bb, o sujeto l\u00edrico, que presenta diferentes estados de \u00e1nimo y actitudes sentimentales: sufrimiento de amor por ausencia del amado, muerte de amor, auto elogio, formas de enga\u00f1o a la madre, ansiedad, tristeza, soledad o alegr\u00eda por el regreso del amigo. En las Cantigas aparecen representados variados tipos de psicolog\u00eda femenina: la ingenua, la narcisista, la esquiva o vengativa, entre otros.<\/p>\n

— La \u00abmadre\u00bb, que por lo general no aprueba el encuentro de la hija con su enamorado, o tiende a educarla con su experiencia en asuntos amorosos, o que en ocasiones provoca conflicto entre ambas.<\/p>\n

— Las \u00abconfidentes\u00bb, las amigas tambi\u00e9n llamadas \u00abirmanas\u00bb, la madre o incluso elementos de la naturaleza (aves, olas, flores…). El papel de la confidente se comprende por el ambiente familiar de estas Cantigas; su misi\u00f3n es conciliar a los enamorados.<\/p>\n

En cuanto a su estructura, las Cantigas de amigo presentan, como se ha dicho, refr\u00e1n, paralelismo y leixapr\u00e9n:<\/p>\n

Refr\u00e1n:<\/strong> es un verso o versos repetidos al final de cada estrofa.<\/p>\n

Paralelismo:<\/strong> es una repetici\u00f3n de versos en los que se sustituye una palabra que rima por un sin\u00f3nimo.<\/p>\n

Leixapr\u00e9n:<\/strong> significa deja-coje<\/em>; es la repetici\u00f3n de los segundos versos de un par de estrofas, como primeros del par siguiente.<\/p>\n

Ejemplo de\u00a0refr\u00e1n en un poema de Mart\u00edn Codax:<\/strong><\/p>\n

Ondas do mar de Vigo,
\n\u00bfse viste meu amigo?
\nE, ai\u00a0Deus, se verr\u00e1 cedo!<\/p>\n

Ondas do mar levado,
\nse viste meu amado.
\nE, ai Deus, se verr\u00e1 cedo!<\/p>\n

Ejemplo de\u00a0un leixapr\u00e9n en un poema de Mart\u00edn de Xinzo:<\/strong><\/p>\n

Como vivo coitada, madre, por meu amado,
\nca m’enviou mandado que se vai no ferido:
\n\u00a1e por el vivo coitada!<\/p>\n

Como vivo coitada, madre, por meu amado,
\nca m’enviou mandado que se vai no fossado:
\n\u00a1e por el vivo coitada!<\/p>\n

Ca m’enviou mandado que se vai no ferido,
\neu a Santa Cecilia de cora\u00e7\u00f3n o digo:
\n\u00a1e por el vivo coitada!<\/p>\n

Ca m’enviou mandado que se vai no fossado,
\neu a Santa Cecilia de cora\u00e7\u00f3n o falo:
\n\u00a1e por el vivo coitada!<\/p>\n

Seg\u00fan las voces que intervienen, las Cantigas de amigo pueden ser monologadas, dialogadas o narrativas.<\/p>\n

En cuanto a los temas, tenemos:<\/p>\n

— Amaneceres o Albas<\/em>: aquellas en\u00a0que la acci\u00f3n se sit\u00faa al nacer el d\u00eda.<\/p>\n

— Bailadas<\/em>: son aquellas en donde se hace una menci\u00f3n expl\u00edcita del baile.<\/p>\n

— Barcarolas o marinas<\/em>: son las que se localizan en las riberas del mar.<\/p>\n

— Cantigas de romer\u00eda<\/em>: son las de ambiente festivo y campestre.<\/p>\n

La est\u00e9tica que caracteriza estas canciones es la escasez de met\u00e1foras, la estilizaci\u00f3n de temas folcl\u00f3ricos, la localizaci\u00f3n de una escenograf\u00eda natural (una casa, una playa, el mar, una fuente o un lago), y la utilizaci\u00f3n simb\u00f3lica de elementos de la naturaleza: asociados con la masculinidad (viento, mar, ciervos…); con la feminidad (cabellos, aves, agua, amanecer, fuentes…); o con\u00a0la experiencia amorosa (noche, aves cantoras, etc.).<\/p>\n

<– <\/span>Viene de la primera parte<\/span><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Contin\u00faa en la tercera parte<\/span><\/a> –><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

<– Viene de la primera parte Las Cantigas de amigo Las Cantigas de amigo nacen del contacto de la l\u00edrica popular pre-trovadoresca, en donde la mujer ten\u00eda un marcado protagonismo, siendo ella quien manifestaba sus sentimientos, con l\u00edrica cortesana\u00a0en lengua romance de origen occit\u00e1nico. El protagonismo femenino aproxima las Cantigas\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[1347,1344,1203,1083,1043,1154,1107,1220,1346,1345,1348,1349],"class_list":["post-37","post","type-post","status-publish","format-standard","hentry","category-literatura","tag-cantigas","tag-galaico","tag-galicia","tag-lirica","tag-literatura-2","tag-poema","tag-poesia","tag-poetica","tag-portugal","tag-portugues","tag-trovador","tag-trovadoresca"],"yoast_head":"\nLa l\u00edrica galaico-portuguesa (2)<\/title>\n<meta name=\"description\" content=\"La l\u00edrica galaico-portuguesa (2)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La l\u00edrica galaico-portuguesa (2)\" \/>\n<meta property=\"og:description\" content=\"La l\u00edrica galaico-portuguesa (2)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog Cultureduca educativa\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/groups\/cultureduca\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-07-14T01:01:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/natureduca.com\/culturblog\/wp-content\/uploads\/cropped-cabecera-culturblog.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"120\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Admin\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/\"},\"author\":{\"name\":\"Admin\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#\\\/schema\\\/person\\\/2ede2c4f1845fa2eef27442aa5aa7200\"},\"headline\":\"La l\u00edrica galaico-portuguesa (2)\",\"datePublished\":\"2023-07-14T01:01:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/\"},\"wordCount\":669,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#organization\"},\"keywords\":[\"cantigas\",\"galaico\",\"galicia\",\"lirica\",\"literatura\",\"poema\",\"poesia\",\"po\u00e9tica\",\"Portugal\",\"portugues\",\"trovador\",\"trovadoresca\"],\"articleSection\":[\"Literatura \\\/ Po\u00e9tica\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/\",\"url\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/\",\"name\":\"La l\u00edrica galaico-portuguesa (2)\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#website\"},\"datePublished\":\"2023-07-14T01:01:21+00:00\",\"description\":\"La l\u00edrica galaico-portuguesa (2)\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/la-lirica-galaico-portuguesa-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La l\u00edrica galaico-portuguesa (2)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#website\",\"url\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/\",\"name\":\"Blog Cultureduca\",\"description\":\"Blog educativo de las Letras y las Artes Pl\u00e1sticas y Est\u00e9ticas\",\"publisher\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#organization\"},\"alternateName\":\"Blog Cultura educativa\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#organization\",\"name\":\"ASOCAE\",\"alternateName\":\"Asociaci\u00f3n para la Cultura, el Arte y la Educaci\u00f3n\",\"url\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/wp-content\\\/uploads\\\/cultureduca_ico_cab.png\",\"contentUrl\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/wp-content\\\/uploads\\\/cultureduca_ico_cab.png\",\"width\":22,\"height\":24,\"caption\":\"ASOCAE\"},\"image\":{\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/groups\\\/cultureduca\\\/\",\"https:\\\/\\\/x.com\\\/Cultureduca\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/#\\\/schema\\\/person\\\/2ede2c4f1845fa2eef27442aa5aa7200\",\"name\":\"Admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/808463f89cd51ccc00a865855b3a170f21d55c755eeccab37eef1fb553f48899?s=96&d=monsterid&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/808463f89cd51ccc00a865855b3a170f21d55c755eeccab37eef1fb553f48899?s=96&d=monsterid&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/808463f89cd51ccc00a865855b3a170f21d55c755eeccab37eef1fb553f48899?s=96&d=monsterid&r=g\",\"caption\":\"Admin\"},\"url\":\"https:\\\/\\\/natureduca.com\\\/culturblog\\\/author\\\/jefe\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La l\u00edrica galaico-portuguesa (2)","description":"La l\u00edrica galaico-portuguesa (2)","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/","og_locale":"es_ES","og_type":"article","og_title":"La l\u00edrica galaico-portuguesa (2)","og_description":"La l\u00edrica galaico-portuguesa (2)","og_url":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/","og_site_name":"Blog Cultureduca educativa","article_publisher":"https:\/\/www.facebook.com\/groups\/cultureduca\/","article_published_time":"2023-07-14T01:01:21+00:00","og_image":[{"width":1200,"height":120,"url":"https:\/\/natureduca.com\/culturblog\/wp-content\/uploads\/cropped-cabecera-culturblog.jpg","type":"image\/jpeg"}],"author":"Admin","twitter_misc":{"Escrito por":"Admin","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/#article","isPartOf":{"@id":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/"},"author":{"name":"Admin","@id":"https:\/\/natureduca.com\/culturblog\/#\/schema\/person\/2ede2c4f1845fa2eef27442aa5aa7200"},"headline":"La l\u00edrica galaico-portuguesa (2)","datePublished":"2023-07-14T01:01:21+00:00","mainEntityOfPage":{"@id":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/"},"wordCount":669,"commentCount":0,"publisher":{"@id":"https:\/\/natureduca.com\/culturblog\/#organization"},"keywords":["cantigas","galaico","galicia","lirica","literatura","poema","poesia","po\u00e9tica","Portugal","portugues","trovador","trovadoresca"],"articleSection":["Literatura \/ Po\u00e9tica"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/","url":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/","name":"La l\u00edrica galaico-portuguesa (2)","isPartOf":{"@id":"https:\/\/natureduca.com\/culturblog\/#website"},"datePublished":"2023-07-14T01:01:21+00:00","description":"La l\u00edrica galaico-portuguesa (2)","breadcrumb":{"@id":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/natureduca.com\/culturblog\/la-lirica-galaico-portuguesa-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/natureduca.com\/culturblog\/"},{"@type":"ListItem","position":2,"name":"La l\u00edrica galaico-portuguesa (2)"}]},{"@type":"WebSite","@id":"https:\/\/natureduca.com\/culturblog\/#website","url":"https:\/\/natureduca.com\/culturblog\/","name":"Blog Cultureduca","description":"Blog educativo de las Letras y las Artes Pl\u00e1sticas y Est\u00e9ticas","publisher":{"@id":"https:\/\/natureduca.com\/culturblog\/#organization"},"alternateName":"Blog Cultura educativa","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/natureduca.com\/culturblog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/natureduca.com\/culturblog\/#organization","name":"ASOCAE","alternateName":"Asociaci\u00f3n para la Cultura, el Arte y la Educaci\u00f3n","url":"https:\/\/natureduca.com\/culturblog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/natureduca.com\/culturblog\/#\/schema\/logo\/image\/","url":"https:\/\/natureduca.com\/culturblog\/wp-content\/uploads\/cultureduca_ico_cab.png","contentUrl":"https:\/\/natureduca.com\/culturblog\/wp-content\/uploads\/cultureduca_ico_cab.png","width":22,"height":24,"caption":"ASOCAE"},"image":{"@id":"https:\/\/natureduca.com\/culturblog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/groups\/cultureduca\/","https:\/\/x.com\/Cultureduca"]},{"@type":"Person","@id":"https:\/\/natureduca.com\/culturblog\/#\/schema\/person\/2ede2c4f1845fa2eef27442aa5aa7200","name":"Admin","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/808463f89cd51ccc00a865855b3a170f21d55c755eeccab37eef1fb553f48899?s=96&d=monsterid&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/808463f89cd51ccc00a865855b3a170f21d55c755eeccab37eef1fb553f48899?s=96&d=monsterid&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/808463f89cd51ccc00a865855b3a170f21d55c755eeccab37eef1fb553f48899?s=96&d=monsterid&r=g","caption":"Admin"},"url":"https:\/\/natureduca.com\/culturblog\/author\/jefe\/"}]}},"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":"Admin","author_link":"https:\/\/natureduca.com\/culturblog\/author\/jefe\/"},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"custom":false,"gb-block-post-grid-landscape":false,"gb-block-post-grid-square":false,"post-thumbnail":false,"header":false,"slider":false,"columns":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/natureduca.com\/culturblog\/author\/jefe\/"},"uagb_comment_info":0,"uagb_excerpt":"<– Viene de la primera parte Las Cantigas de amigo Las Cantigas de amigo nacen del contacto de la l\u00edrica popular pre-trovadoresca, en donde la mujer ten\u00eda un marcado protagonismo, siendo ella quien manifestaba sus sentimientos, con l\u00edrica cortesana\u00a0en lengua romance de origen occit\u00e1nico. El protagonismo femenino aproxima las Cantigas\u2026 Seguir leyendo...","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/users\/75"}],"replies":[{"embeddable":true,"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":0,"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/posts\/37\/revisions"}],"wp:attachment":[{"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/media?parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/categories?post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/natureduca.com\/culturblog\/wp-json\/wp\/v2\/tags?post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}