{"id":335,"date":"2009-09-09T11:27:18","date_gmt":"2009-09-09T09:27:18","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=335"},"modified":"2015-05-21T15:23:51","modified_gmt":"2015-05-21T13:23:51","slug":"literatura-infantil-costarricense","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/literatura-infantil-costarricense\/","title":{"rendered":"LITERATURA INFANTIL COSTARRICENSE"},"content":{"rendered":"

Una vez m\u00e1s las autoridades postales costarricenses nos sorprenden con una emisi\u00f3n dedicada al mundo de la literatura infantil. En esta ocasi\u00f3n honran a cuatro autores del siglo XX que han tenido una notable influencia en la formaci\u00f3n de los j\u00f3venes ticos en el siglo precedente y, en algunos casos, siguen siendo escritores ampliamente difundidos entre las nuevas generaciones.<\/font><\/p>\n

<\/p>\n

Los cuatro sellos tienen un facial unitario de 65 colones, formato vertical y gran tama\u00f1o (25x60mm); se pusieron a la venta el 27 de mayo de 2009 y los motivos estuvieron inspirados en las obras \u00abTolo, el gigante viento norte\u00bb que ilustr\u00f3 Georgina Garc\u00eda para la obra de Adela Ferreto. Fernando Carballo ilustr\u00f3 \u00abLa nave de las estrellas\u00bb de Alfredo Cardona Pe\u00f1a; F\u00e9lix Arburola hizo lo propio con los \u00abCuentos Viejos\u00bb de Maria Leal Noguera y Vicky Ramos acab\u00f3 con \u00abLa m\u00fasica de Paul\u00bb de Lara R\u00edos. Todos tuvieron la misma tirada: 35.000 ejemplares que se imprimieron en cuadricom\u00eda formato hojita bloque (120×100 mm) en dentado 11 y papel de 90 gramos. El matasellos de primer d\u00eda fue ilustrado por Cristian Ram\u00edrez: dos ni\u00f1os leyendo junto al nombre gen\u00e9rico de la serie. Lara R\u00edos junto a Francisco Maroto, director del Museo Filat\u00e9lico, matasell\u00f3 la carpeta oficial con los cuatro efectos de este tercer grupo.<\/font><\/p>\n

<\/p>\n

LOS AUTORES<\/font><\/p>\n

ALFREDO CARDONA PE\u00d1A\u00a0 (San Jos\u00e9, 1917), all\u00ed realiza sus estudios b\u00e1sicos, secundaria en El Salvador a donde lleg\u00f3 con su familia cuando contaba trece a\u00f1os. En 1933 regres\u00f3 a su pa\u00eds y entr\u00f3 en\u00a0 contacto con Garc\u00eda Monge que le edita una antolog\u00eda con sus poemas y convencer\u00e1 a la familia para que vaya a M\u00e9xico en 1938, trabaja como profesor de literatura e inicia, con 23 a\u00f1os, sus colaboraciones period\u00edsticas en el editorial y la cr\u00edtica literaria del diario Novedades. Su primera selecci\u00f3n de poemas apareci\u00f3 en 1939 en el Repertorio Americano de Costa Rica.<\/font><\/p>\n

En 1956 inici\u00f3 una serie de entrevistas con el pintor Diego Rivera que posteriormente dar\u00edan vida al t\u00edtulo \u00abEl monstruo y su laberinto\u00bb. Tambi\u00e9n colaboraba con los diarios costarricenses \u00abLa Naci\u00f3n\u00bb y \u00abSemanario Universidad\u00bb; junto con otros autores de su tiempo, particip\u00f3 en la renovaci\u00f3n del lenguaje, la palabra culta con la coloquial, sencilla, asequible y popular. Ejerci\u00f3 como poeta, ensayista, narrador, periodista, publicista educativo, profesor de literatura y conferenciante. En su bibliograf\u00eda destaca \u00abEl mundo que t\u00fa eres\u00bb (1944), \u00abLa m\u00e1scara que hablaba\u00bb (1944), \u00abEl valle de M\u00e9xico (1949), \u00abPoemas numerales\u00bb (1944-1948), galardonada en Guatemala con el \u00ab15 de septiembre\u00bb; \u00abLos jardines amantes\u00bb (1952),\u00a0 \u00abPablo Neruda y otros ensayos\u00bb (1955), \u00abPoema del Retorno (que recibi\u00f3 el Aquileo J. Echeverr\u00eda en 1962), \u00abCosecha mayor\u00bb (1964), \u00abCuentos de magia, misterio y horror\u00bb (1966), el poemario \u00abConf\u00edn en llamas\u00bb (1969), \u00abEl monstruo en su laberinto\u00bb (Conversaciones con el mexicano Diego Rivera, 1969), \u00abF\u00e1bula contada\u00bb (1972); \u00abLos ojos del c\u00edclope\u00bb (1980) o \u00abAnillos en el tiempo\u00bb.
\nEntre sus numerosos reconocimientos destacan cl Centroamericano (Guatemala, 1948), Continental (Washington, 1951) y el Nacional de Poes\u00eda (1963). Una antolog\u00eda de sus poemas gan\u00f3 tambi\u00e9n el Premio Nacional de Campeche (1983). <\/font>\n<\/p>\n

ADELA FERRETO SEGURA (Heredia, 1903-1987). Realiz\u00f3 su formaci\u00f3n en la escuela p\u00fablica y en 1917 ingresaba en la Escuela Normal de Costa Rica que dirig\u00eda el maestro Joaqu\u00edn Garc\u00eda Monge. Se gradu\u00f3 como maestra en 1922 bajo la direcci\u00f3n de Omar Dengo.<\/font><\/p>\n

Esposa de otro recordado maestro: Carlos Luis S\u00e1enz, junto al que realizar\u00eda la mayor parte de sus trabajos centrados en la literatura infantil y textos escolares. De sus obras destacaremos \u00abLas aventuras de T\u00edo Conejo y Juan Valiente\u00bb, \u00abLas palabras perdidas y otros cuentos\u00bb, \u00abEl pr\u00edncipe viejito\u00bb, etc.<\/font><\/p>\n

Fue laureada con el Carmen Lyra por \u00abTolo, el Gigante Viento Norte\u00bb y el Aquileo J. Echeverr\u00eda por su novela de \u00abLos viajes y aventuras de Chico Paquito y sus duendes\u00bb.<\/font><\/p>\n

MARILYN ECHEVERR\u00cdA DE SAUTER (Lara R\u00edos), naci\u00f3 en San Jos\u00e9 en 1934, escribi\u00f3 una docena de libros, destacan \u00abAlgod\u00f3n de Az\u00facar\u00bb (1976), \u00abCuentos de mi alcanc\u00eda\u00bb (1979), \u00abPantalones cortos\u00bb (1982), \u00abEl rey que deseaba escribir un cuento\u00bb (1986),\u00a0 \u00abVerano de colores\u00bb (1990), \u00abMo\u00bb (1992), \u00abCuentos de palomas\u00bb (1989), \u00abPantalones largos\u00bb\u00b7 (1993), \u00abEl c\u00edrculo de Fuego Blanco (2000) y \u00abLa m\u00fasica de Paul\u00bb (2002), motivo del sello, obra traducida al franc\u00e9s; \u00abLas aventuras de Dora la lora y de Chico perico\u00bb (2004), \u00abNuevas aventuras de Dora la lora y Chico perico (2006), \u00abD\u00f3nde est\u00e1s, mi buen Jes\u00fas\u00bb (2006), etc.<\/font><\/p>\n

Con \u00abMo\u00bb (que fue traducido al tailand\u00e9s), rescat\u00f3 las tradiciones ind\u00edgenas y le posibilit\u00f3 el acceso a la lista de honor del International Board on Books for Young People, el organismo especializado en la literatura infantil y juvenil que promociona, a nivel mundial, la literatura de este g\u00e9nero.<\/font><\/p>\n

Se dedic\u00f3 a promocionar la lectura entre los m\u00e1s peque\u00f1os, fue fundadora y presidenta del Instituto de Literatura Infantil y Juvenil (ILIJ). Tambi\u00e9n incursion\u00f3 en las artes pl\u00e1sticas con diversas t\u00e9cnicas, especialmente talla en madera. En 1975 logr\u00f3 el Carmen Lyra por \u00abAlgod\u00f3n de az\u00facar\u00bb y en 2002 el Aquileo J. Echevarr\u00eda por \u00abLa m\u00fasica de Paul\u00bb. Ingres\u00f3 como miembro de n\u00famero de la Academia Costarricense de la Lengua (sill\u00f3n A) en abril de 2009, con un discurso sobre \u00abLa literatura para ni\u00f1os en Costa Rica\u00bb; en la actualidad estaba redactando su autobiograf\u00eda.<\/font><\/p>\n

MARIA LEAL DE NOGUERA, natural de Lagunilla de Santa Cruz (Guanacaste). Fue una destacada educadora y cuentista especializada en la rica tradici\u00f3n oral y folcl\u00f3rica guanacasteca que le sirvieron para escribir su popular\u00edsimo \u00abCuentos Viejos\u00bb que apareci\u00f3 en 1923. En realidad se trata de una recopilaci\u00f3n de catorce cuentos en un volumen de 128 p\u00e1ginas en donde podemos encontrar esas maravillosas historias que hacen so\u00f1ar a los cr\u00edos cuando buscan esos reinos escondidos en textos como \u00abAventuras de un pr\u00edncipe\u00bb, \u00abEl pr\u00edncipe tonto\u00bb, \u00abHistoria del hijo que dej\u00f3 perdido el rey\u00bb, etc. Tambi\u00e9n tiene la facultad de conmover o asustar, algo que se descubre en los relatos de \u00abLa mano peluda\u00bb, \u00abLos ni\u00f1os sin mam\u00e1\u00bb o \u00abLa princesa rana\u00bb. Son cuentos viejos porque guardan la esencia de los antiguos relatos de la rica tradici\u00f3n oral que hizo que las historias fueran expandi\u00e9ndose por el globo terr\u00e1queo de generaci\u00f3n en generaci\u00f3n; para ella, los cuentos, eran \u00abla realidad de la vida\u00bb.<\/font><\/p>\n

La autora dedic\u00f3 sus relatos al hijo de Joaqu\u00edn Garc\u00eda Monge, concretamente a Eugenio que entonces ten\u00eda nueve a\u00f1os. Monge fue su maestro y al mismo tiempo otro consagrado autor de literatura infantil y juvenil; \u00e9l considera que la literatura infantil es \u00abla contribuci\u00f3n m\u00e1s interesante que Costa Rica puede ofrecer a la literatura universal\u00bb.<\/font><\/p>\n

http:\/\/www.correos.go.cr\/<\/font><\/p>\n

JUAN FRANCO CRESPO
\n<\/font>lacandon999@yahoo.es<\/font><\/a> <\/font><\/p>\n","protected":false},"excerpt":{"rendered":"

Una vez m\u00e1s las autoridades postales costarricenses nos sorprenden con una emisi\u00f3n dedicada al mundo de la literatura infantil. En esta ocasi\u00f3n honran a cuatro autores del siglo XX que han tenido una notable influencia en la formaci\u00f3n de los j\u00f3venes ticos en el siglo precedente y, en algunos casos,\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":8,"featured_media":-1,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[5,7],"tags":[1016,1139,1012,1017,1044,1115,1060,1147,1149,1043,1056,1154,1156,1150,1146,1064],"class_list":["post-335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura","category-personajes","tag-arte","tag-artes","tag-ave","tag-historia","tag-jardin","tag-jovenes","tag-lengua","tag-lenguaje","tag-libros-2","tag-literatura-2","tag-museo","tag-poema","tag-poemas","tag-textos","tag-tradiciones","tag-universidad"],"yoast_head":"\nLITERATURA INFANTIL COSTARRICENSE - Blog Cultureduca educativa<\/title>\n<meta name=\"description\" content=\"LITERATURA INFANTIL COSTARRICENSE - 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