{"id":218,"date":"2009-03-01T12:32:53","date_gmt":"2009-03-01T10:32:53","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=218"},"modified":"2009-03-01T12:38:51","modified_gmt":"2009-03-01T10:38:51","slug":"l-aniversario-desaparicion-beniamino-gigli-y-xxx-de-maria-callas","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/l-aniversario-desaparicion-beniamino-gigli-y-xxx-de-maria-callas\/","title":{"rendered":"L ANIVERSARIO DESAPARICI\u00d3N BENIAMINO GIGLI y XXX DE MARIA CALLAS"},"content":{"rendered":"

El correo italiano realiz\u00f3 una serie en formato tr\u00edptico-hojita bloque para tres grandes del espect\u00e1culo: dos cantantes de \u00f3pera y un actor cinematogr\u00e1fico. Gigli cumple medio siglo de su muerte; Callas tres d\u00e9cadas y con Nazzari celebran el centenario de su nacimiento.<\/p>\n

L\u00f3gicamente, nos haremos eco de los m\u00fasicos, aunque la hojita en su conjunto tendremos que coleccionarla entera puesto que la parte musical queda reflejada tambi\u00e9n en los amplios m\u00e1rgenes en donde, como fondo, van dos im\u00e1genes m\u00e1s de los grandes del espect\u00e1culo que complementan el propio dise\u00f1o de cada estampilla.<\/p>\n

<\/p>\n

Beniamino Gigli <\/strong>(Recanati, 20 de marzo de 1890-Roma, 30 de noviembre de 1957), fue uno de los grandes tenores de su tiempo, su voz, inolvidable, fue de una gran belleza. Era hijo de un zapatero amante de la \u00f3pera, desde temprana edad mostr\u00f3 una gran facilidad para el canto, con siete a\u00f1os fue admitido en el coro de la catedral, fueron sus maestros Quirini Lazzarini (organista) y Giuseppe Guzzini (sacerdote), su formaci\u00f3n musical se forj\u00f3 en la Academia Santa Cecilia (Roma). Con 17 a\u00f1os interpret\u00f3 el papel principal en La fuga de Ang\u00e9lica <\/em>en su provincia natal de Macerata: era el 28 de abril de 1907; en 1914 gan\u00f3 el primer premio en la competici\u00f3n de Parma; su debut oper\u00edstico se produjo el 15 de octubre de ese a\u00f1o en el papel de Enzo en La Gioconda <\/em>(Rovigo), el \u00e9xito fue tal que r\u00e1pidamente le sucedieron los espect\u00e1culos en el Teatro Massimo de Palermo (Mefist\u00f3feles, 1915<\/em>); Teatro San Carlo de N\u00e1poles (1915); Teatro Costancio de Roma (1916), La Scala de Mil\u00e1n (1916) y el Metropolitan (Nueva York, 1920). Tambi\u00e9n actu\u00f3 en Monte Carlo, S\u00e2o Paulo, Buenos Aires (en el m\u00edtico Teatro Col\u00f3n). No tuvo rivales en los a\u00f1os veinte y treinta del pasado siglo entre los grandes tenores italianos.<\/p>\n

Alguno de sus grandes \u00e9xitos fueron en el papel de Edgardo en la pieza de Donizetti (Lucia de Lammermoor)<\/em>; Rodolfo de Puccini (La Boh\u00e8me), <\/em>Umberto Giordano (Andrea Ch\u00e9nier), <\/em>duque de Mantua (Rigoletto), <\/em>Caballero des Grieux (Manon Lescaut) <\/em>o como Mario Cavaradossi (Tosca). <\/em>Su estrella, a nivel internacional, brill\u00f3 tras la desaparici\u00f3n de Caruso, muchos aficionados le aplicaron el mote de \u00abSegundo Caruso\u00bb pero \u00e9l prefer\u00eda el de \u00abGigli Primero\u00bb; los entendidos dijeron de \u00e9l que ten\u00eda una voz m\u00e1s dram\u00e1tica y rica en tonos.<\/p>\n

Gigli no escap\u00f3 a los problemas y el ambiente de su tiempo, quiz\u00e1s el m\u00e1s grande fue el que le enfrent\u00f3 con el Director del Metropolitan, Giulio Gatti-Casazza, por sus emolumentos. De hecho no fue el \u00fanico que tuvo problemas salariales en aquella \u00e9poca de recesi\u00f3n econ\u00f3mica que azot\u00f3 a los norteamericanos primero y al resto del mundo despu\u00e9s. Regres\u00f3 a Italia y se afili\u00f3 al movimiento de Benito Mussolini que le granje\u00f3, a\u00f1os despu\u00e9s, una reputaci\u00f3n que en nada ten\u00eda que ver con su portentoso legado art\u00edstico. Es el gran drama de los grandes cuando entran, siquiera de teloneros, en la lucha pol\u00edtica. La pregunta siempre es la misma \u00bfqu\u00e9 es lo que hace que un personaje que se debe al p\u00fablico, entre en pol\u00edtica y, de manera indirecta, acabe arruinando su reputaci\u00f3n y su val\u00eda? En pol\u00edtica, siempre estar\u00e1s en contra de los que no piensan como t\u00fa y el artista, al parecer, tambi\u00e9n sucumbe a la tentaci\u00f3n y acaba hundi\u00e9ndose en ese lodo lleno de predadores. En definitiva: tras la II Guerra Mundial fue acusado de colaborador con el fascismo (ser\u00eda exculpado posteriormente, pero el da\u00f1o ya se le hab\u00eda hecho y se retir\u00f3 de la escena en 1953).<\/p>\n

A lo largo de cuatro d\u00e9cadas de vida profesional realiz\u00f3 m\u00e1s de 400 grabaciones, fue protagonista de una veintena de pel\u00edculas, hizo m\u00e1s de sesenta papeles en m\u00e1s de 2000 representaciones por todo el mundo.<\/p>\n

Fue el gran tenor de las obras de Puccini, pero tambi\u00e9n se aventur\u00f3 en las de Verdi. Sus incondicionales siempre afirmaron que pose\u00eda una hermosa voz, de timbre envolvente y aterciopelado en los tonos medio e intermedios. Uno de los cr\u00edticos de su tiempo, Rodolfo Celletti, dijo de \u00e9l: \u00abLa perfecta homogeneidad de registro, esmalte l\u00edmpido, timbre delicado y dulc\u00edsimo, pero tambi\u00e9n pleno, pastoso, sonoro e intenso; flexibilidad y resistencia de su garganta, se puede hablar de facultades naturales anormales; todo lo que ten\u00eda que ver con la fonaci\u00f3n se le daba milagrosamente de manera f\u00e1cil y espont\u00e1nea…\u00bb <\/em>\u00a0Sin duda fue el tenor, por excelencia, del denominado \u00abverismo\u00bb.<\/p>\n

Mar\u00eda Callas <\/strong>fue tratada ampliamente en Opus M\u00fasica n\u00famero 119, por ello optamos por remitir a los posibles interesados a estos excelentes trabajos. Y el actor cinematogr\u00e1fico queda fuera del objetivo de nuestra secci\u00f3n, cualquier aficionado del s\u00e9ptimo arte deber\u00e1 buscar la informaci\u00f3n en cualquier p\u00e1gina o enciclopedia dedicada al mundo del cine.<\/p>\n

<\/p>\n

La trilog\u00eda de estos personajes del espect\u00e1culo fue obra de Rita Fantini, la impresi\u00f3n se realiz\u00f3 en cuadricom\u00eda sobre papel fluorescente para cancelaci\u00f3n postal automatizada. Se emitieron dos millones\u00a0 de hojitas de 1,80\u20ac (3×0,60); los dise\u00f1os se complementaron con una escena de la \u00f3pera l\u00edrica I pagliacci,<\/em> pentagrama y foto (Gigli); pentagrama, velo, foto y escena de Turandot <\/em>(Callas); una m\u00e1quina de filmaci\u00f3n montada, en una de sus actuaciones y retrato (Nazzari). Los tres tuvieron su primer d\u00eda con el correspondiente matasellos que reproduc\u00eda la foto empleada en el sello, el 18 de octubre de 2007 en Recanati (Gigli), Venecia (Callas) y Cagliari (Nazzari).<\/p>\n

http:\/\/www.poste.it\/<\/a><\/p>\n

JUAN FRANCO CRESPO
\nlacandon999@gmail.com<\/a>\n<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

El correo italiano realiz\u00f3 una serie en formato tr\u00edptico-hojita bloque para tres grandes del espect\u00e1culo: dos cantantes de \u00f3pera y un actor cinematogr\u00e1fico. Gigli cumple medio siglo de su muerte; Callas tres d\u00e9cadas y con Nazzari celebran el centenario de su nacimiento. L\u00f3gicamente, nos haremos eco de los m\u00fasicos, aunque\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":8,"featured_media":-1,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[20,7],"tags":[1081,1016,1012,1039,1049,1140,1034,1028,1036,1025,1026],"class_list":["post-218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","category-personajes","tag-ambiente","tag-arte","tag-ave","tag-belleza","tag-drama","tag-escena","tag-guerra","tag-musica-2","tag-norteamerica","tag-rosa","tag-teatro"],"yoast_head":"\nL ANIVERSARIO DESAPARICI\u00d3N BENIAMINO GIGLI y XXX DE MARIA CALLAS - Blog Cultureduca educativa<\/title>\n<meta name=\"description\" content=\"L ANIVERSARIO DESAPARICI\u00d3N BENIAMINO GIGLI y XXX DE MARIA CALLAS - 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