{"id":1319,"date":"2011-06-01T15:17:13","date_gmt":"2011-06-01T13:17:13","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=1319"},"modified":"2020-02-24T19:14:26","modified_gmt":"2020-02-24T17:14:26","slug":"instrumentos-musicales-tradicionales-emision-conjunta-de-bielorrusia-y-azerbaijan","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/instrumentos-musicales-tradicionales-emision-conjunta-de-bielorrusia-y-azerbaijan\/","title":{"rendered":"INSTRUMENTOS MUSICALES TRADICIONALES (EMISI\u00d3N CONJUNTA DE BIELORRUSIA Y AZERBAIJ\u00c1N)"},"content":{"rendered":"

A veces tenemos ante nosotros instrumentos musicales totalmente extra\u00f1os a nuestra cultura [que no a nuestros o\u00eddos, sobre todo si uno disfruta con la radio de onda corta y las emisoras internacionales con programas y m\u00fasicas poco comunes comparando lo que ofrecen emisoras o medios de comunicaci\u00f3n m\u00e1s pr\u00f3ximos a nuestro lugar de residencia, digamos de paso que pr\u00e1cticamente nunca he o\u00eddo piezas de estos or\u00edgenes en la radio espa\u00f1ola y rara vez encuentras material en las grandes superficies dentro del apartado de m\u00fasica \u00e9tnica].<\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/span><\/p>\n

Este ser\u00eda el caso de las dos estampillas que han llamado nuestra atenci\u00f3n y cuya informaci\u00f3n inicial nos la facilit\u00f3 el Correo de Bielorrusia: la lira de rueda o manubrio, un antiguo instrumento que a veces tambi\u00e9n me lo he tropezado siendo utilizado por m\u00fasicos callejeros del Este de Europa y que por su sonoridad \u00bfo debemos decir impacto sonoro? Es audible a bastante distancia, as\u00ed que no es extra\u00f1o que los trotamundos y los ciegos lo empleen para intentar hacerse con algo de lo que los paseantes les quieran dejar por su interpretaci\u00f3n musical al pasar el cl\u00e1sico platillo de los desheredados.<\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/span><\/p>\n

La lira es uno de los instrumentos musicales m\u00e1s antiguos y ha ido evolucionando a trav\u00e9s de la historia. Ese nombre gen\u00e9rico se aplica al rabel de la Edad Media, a la giga europea o al rebab del mundo \u00e1rabe. La que recoge el sello de Bielorrusia se parecer\u00eda much\u00edsimo a la lira alemana por su teclado que disminuye mec\u00e1nicamente la extensi\u00f3n de las cuerdas y producen una docena de sonidos a escala diat\u00f3nica, se toca d\u00e1ndole vueltas al manubrio o rueda con la mano derecha y con la izquierda el int\u00e9rprete va tocando, al un\u00edsono, las teclas del peculiar instrumento que se asemeja en su forma, a la caja de una guitarra. Generalmente lo tocan descansando sobre el hombro y produce una m\u00fasica fuerte, nasal que depender\u00e1 del m\u00fasico, su o\u00eddo y la calibraci\u00f3n para atrapar o no a la concurrencia. Otro instrumento muy pr\u00f3ximo al filatelizado ser\u00eda el que se conoce como lira organizzata para el cual los genios Pleyel y Haydn crearon algunas piezas de gran belleza en el XVIII.<\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/span><\/p>\n

El otro instrumento es el tar que se asemeja al la\u00fad punteado con una membrana como tapa arm\u00f3nica, es bastante habitual en los pueblos del C\u00e1ucaso e Ir\u00e1n en donde se utiliza especialmente en los festejos populares tradicionales pero tambi\u00e9n se le asocia con la m\u00fasica art\u00edstica. La mayor o menor familiaridad del m\u00fasico con el instrumento har\u00e1 que el tar d\u00e9 unos tonos sumamente vigorosos y nos dejar\u00e1 boquiabiertos cuando contemplamos la maestr\u00eda de cualquier virtuoso de este antiguo instrumento que no siempre tenemos la oportunidad de o\u00edr por nuestros lares, pero habitual en los pueblos de la regi\u00f3n centroasi\u00e1tica en donde goza de un gran predicamento. En Azerbaij\u00e1n se le considera uno de los instrumentos nacionales por excelencia y con el que los m\u00fasicos azer\u00edes han creado piezas musicales de una gran belleza, en ocasiones lo hemos o\u00eddo a trav\u00e9s de las emisiones de Radio Azatliq [en realidad es la norteamericana que opera gen\u00e9ricamente como Radio Free Europe o Radio Liberty y que hasta hace pocos a\u00f1os tuvo en Playa de Pals-Gerona uno de sus centros emisores, frecuencias actualizadas pueden bajarse de <\/span><\/span><\/span><\/span>www.rferl.org<\/span><\/span><\/span><\/span><\/a>, tambi\u00e9n podr\u00edamos o\u00edr algo a trav\u00e9s de Ecos del C\u00e1ucaso <\/span><\/span><\/span><\/span>www.ekhohavkaza.com<\/span><\/span><\/span><\/span>; Radio Azerbaij\u00e1n la encontrar\u00edamos en <\/span><\/span><\/span><\/span>www.aztv.az<\/span><\/span><\/span><\/span><\/a> pero no tienen emisiones en onda corta. M\u00e1s f\u00e1cil lo tienen los que desean profundizar en el folklore bielorruso, este pa\u00eds tiene emisiones regulares en onda corta y los domingos veinte minutos en espa\u00f1ol a las 2000-2020 UTC por 1170-7255-7360-7390, la segunda frecuencia es la que da mejor sinton\u00eda en mi zona de residencia junto al Mediterr\u00e1neo, frecuencias y horarios pueden bajarse de <\/span><\/span><\/span><\/span>www.radiobelarus.tvr.by<\/span><\/span><\/span><\/span> ].<\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/span><\/span><\/p>\n

La emisi\u00f3n postal conjunta se puso en circulaci\u00f3n el 25 de mayo de 2011, en la composici\u00f3n del sobre oficial de primer d\u00eda ambos efectos tienen la misma tarifa H [equivalente a una carta de hasta 20 gramos de peso destinada al extranjero por v\u00eda de superficie], el instrumento musical de Bielorrusia aparece en el lado izquierdo y, a su vez, se reproduce en el motivo que ilustra el sobre de primer d\u00eda y el matasellos especial empleado en Minsk. El tar de Azerbaij\u00e1n lo encontramos en el lado derecho y, en ambos casos, aparecen sobre una alfombra o tapiz que todav\u00eda siguen confeccionando de manera artesanal estos dos pa\u00edses.<\/span><\/span><\/span><\/span><\/p>\n

El dise\u00f1o fue de Yevgeni Simonenko, la impresi\u00f3n se realiz\u00f3 en offset multicolor con dentado 14×14\u00bc, formato horizontal de 40×28 mm en minipliegos de 4 series en formato d\u00edptico. En los m\u00e1rgenes, de manera alterna, se ha colocado una imagen de cada instrumento filatelizado. Si uno coloca los sellos bajo una l\u00e1mpara ultravioleta descubrir\u00e1 las medidas de seguridad incorporadas para evitar su falsificaci\u00f3n y detectables por las m\u00e1quinas canceladoras autom\u00e1ticas, las impresiones de esta eficaz medida es invisible al ojo humano, aparecen colocadas justo al lado izquierdo del m\u00fasico bielorruso a la altura del rostro y a ambos lados en el del m\u00fasico azer\u00ed: clave de sol y notas musicales con una estrella. El tama\u00f1o del minipliego fue de 105×140 mm (vertical) y una tirada de 40.000 efectos o 10.000 hojitas. Lamentablemente no hemos conseguido informaci\u00f3n adicional del correo de Bak\u00fa.<\/span><\/span><\/span><\/span><\/p>\n

www.belpost.by\/stamps<\/span><\/span><\/span><\/span>
\nwww.belta.by<\/span><\/span><\/span><\/span><\/a>
\nwww.radiobelarus.tvr.by<\/span><\/span><\/span><\/span>
\nwww.aztv.az<\/span><\/span><\/span><\/span><\/a>
\nwww.ekhohavkaza.com<\/span><\/span><\/span><\/span>
\nwww.rferl.org<\/span><\/span><\/span><\/span><\/a>
\nmarka@belpost.by<\/span><\/span><\/span><\/span><\/a>
\nphil@belpost.by<\/span><\/span><\/span><\/span><\/a><\/p>\n

JUAN FRANCO CRESPO
\n<\/span><\/span><\/span><\/span>lacandon999@yahoo.es<\/span><\/span><\/span><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A veces tenemos ante nosotros instrumentos musicales totalmente extra\u00f1os a nuestra cultura [que no a nuestros o\u00eddos, sobre todo si uno disfruta con la radio de onda corta y las emisoras internacionales con programas y m\u00fasicas poco comunes comparando lo que ofrecen emisoras o medios de comunicaci\u00f3n m\u00e1s pr\u00f3ximos a\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":8,"featured_media":-1,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[16,14,20],"tags":[1016,1012,1039,1467,1009,1470,1127,1017,1028,1036,1030,1066],"class_list":["post-1319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-tradiciones","category-filatelia","category-musica","tag-arte","tag-ave","tag-belleza","tag-conjunta","tag-cultura","tag-emision","tag-europa","tag-historia","tag-musica-2","tag-norteamerica","tag-radio","tag-rusia"],"yoast_head":"\nINSTRUMENTOS MUSICALES TRADICIONALES (EMISI\u00d3N CONJUNTA DE BIELORRUSIA Y AZERBAIJ\u00c1N) - 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