{"id":120,"date":"2023-12-25T21:51:58","date_gmt":"2023-12-25T19:51:58","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=120"},"modified":"2023-12-25T21:51:58","modified_gmt":"2023-12-25T19:51:58","slug":"120","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/120\/","title":{"rendered":"El Museo de Arte Contempor\u00e1neo de Chile"},"content":{"rendered":"

\"MAC<\/p>\n

Historia<\/font><\/strong><\/p>\n

La creaci\u00f3n del Museo de Arte Contempor\u00e1neo (decreto de fundaci\u00f3n, 1946), perteneciente a la Facultad de Artes de la Universidad de Chile, se enmarc\u00f3 en las pol\u00edticas vinculadas al mundo de la cultura que la universidad desarroll\u00f3 a partir de la d\u00e9cada de los 40, gracias al Instituto de Extensi\u00f3n de Artes Pl\u00e1sticas (IEAP). Ellas buscaron responder a las necesidades de nuestra sociedad, adhiriendo a un proyecto de desarrollo nacional que signific\u00f3 la instauraci\u00f3n de una instituci\u00f3n cultural al interior de la universidad.<\/p>\n

\"Jan<\/a>El MAC se inaugur\u00f3 en el edificio conocido como \u201cEl Parten\u00f3n\u201d de Quinta Normal, el 15 de agosto de 1947, con presencia del Ministro de Educaci\u00f3n, Enrique Molina, el Rector de la Universidad de Chile, Juvenal Hern\u00e1ndez y Marco Bont\u00e1, director del IEAP y primer director del MAC. Su objetivo fundacional fue promover la obra de los artistas de la \u00e9poca, como una plataforma de difusi\u00f3n nacional e internacional. En 1974 el MAC se traslad\u00f3 al edificio \u201cPalacio de Bellas Artes\u201d del Parque Forestal, dise\u00f1ado por Emilio Jequier, donde funciona hasta el d\u00eda de hoy.<\/p>\n

<\/strong>En sus casi seis d\u00e9cadas de funcionamiento, el Museo de Arte Contempor\u00e1neo ha ido conformando una coherente y sistem\u00e1tica colecci\u00f3n de arte chileno y, en menor medida, de arte internacional. Su origen data de la primera exposici\u00f3n del museo, realizada gracias al pr\u00e9stamo de obras de artistas nacionales y extranjeros residentes en Chile, muchos de los cuales posteriormente las donaron. Este valioso patrimonio fue acrecentado a lo largo de los a\u00f1os, mayoritariamente por medio de la donaci\u00f3n y adquisici\u00f3n de obras a trav\u00e9s de concursos, salones oficiales y bienales de grabado, organizados con este fin.<\/p>\n

<\/strong>Las colecciones del MAC cuentan actualmente con alrededor de 2 mil piezas, siendo la m\u00e1s completa e importante la de grabado, con casi mil ejemplares. Cerca de 600 pinturas, alrededor de 130 dibujos, t\u00e9mperas y acuarelas, y 80 esculturas completan la colecci\u00f3n. Entre sus obras \u2013de fines del s. XIX hasta la fecha\u2013 cabe destacar los trabajos de artistas nacionales como Roberto Matta, Nemesio Ant\u00fanez, Matilde P\u00e9rez, Jos\u00e9 Balmes y de importantes figuras del arte internacional como Oswaldo guayasam\u00edn (Ecuador), Emilio Pettoruti (Argentina), Friendensreich Hundertwasser (Austria), Isamu Noguchi (Estados Unidos), David Batchelor (Inglaterra), Jes\u00fas Ruiz Nestosa (Paraguay) y Dino Bruzzone (Argentina).<\/p>\n

Misi\u00f3n del Museo de Arte Contempor\u00e1neo<\/strong><\/font><\/p>\n

La Universidad de Chile es una instituci\u00f3n de educaci\u00f3n superior dedicada a la generaci\u00f3n, cultivo, transmisi\u00f3n e integraci\u00f3n de las ciencias, humanidades, artes, t\u00e9cnicas y dem\u00e1s manifestaciones de la cultura. La Facultad de Artes asume la tarea que, en este cuadro general, corresponde a la creaci\u00f3n, docencia y extensi\u00f3n de las artes. A partir de la \u00faltima versi\u00f3n de los Estatutos de la Universidad de Chile (2006), se desprende que la labor del Museo debe estar orientada a la generaci\u00f3n, desarrollo, estudio, integraci\u00f3n y comunicaci\u00f3n de las artes, a trav\u00e9s de las muestras \u2013tanto nacionales como internacionales\u2013 exhibidas en el museo, como al cuidado del acervo que corresponde a su colecci\u00f3n y archivos.<\/p>\n

De la misi\u00f3n del MAC se desprenden principalmente dos aspectos. El primero de ellos est\u00e1 relacionado a su condici\u00f3n universitaria; al pertenecer a la Facultad de Artes de la Universidad de Chile, el museo ha hecho propias las caracter\u00edsticas que definen a la Universidad. Por esta raz\u00f3n, se ha distinguido por ser una instituci\u00f3n que, a trav\u00e9s del arte, ha acogido la pluralidad de tendencias que forman nuestra vida cultural, promoviendo adem\u00e1s un constante debate y reflexi\u00f3n te\u00f3rica en torno a todas las \u00e1reas del conocimiento humano. Esta condici\u00f3n, lo obliga a proyectarse sobre los dem\u00e1s museos de su \u00e1mbito. En esta l\u00ednea de acci\u00f3n son notables los esfuerzos desplegados en el trabajo con otras instituciones que han dado diversos frutos.<\/p>\n

El segundo aspecto que define la misi\u00f3n del MAC est\u00e1 ligado a su condici\u00f3n de museo especializado en arte moderno y contempor\u00e1neo. Su labor ha estado orientada a la exploraci\u00f3n de nuevas opciones productivas, articulando tanto su colecci\u00f3n, su l\u00ednea curatorial y las exposiciones invitadas por el museo \u2013nacionales e internacionales\u2013, desde una mirada contempor\u00e1nea que se ha reflejado en las muestras que ha realizado y acogido desde sus inicios.<\/p>\n

A trav\u00e9s de estos dos aspectos, uno de los principales objetivos del museo es el de acometer cada vez m\u00e1s su compromiso social, estableciendo un puente entre el p\u00fablico y las problem\u00e1ticas que se generan a partir de las nuevas manifestaciones art\u00edsticas. En respuesta a esta funci\u00f3n sociocultural, orientada a estar en sinton\u00eda con la realidad de un mundo en constante cambio, el museo tambi\u00e9n debe desarrollar programas cada vez m\u00e1s amplios y distantes de lo convencional, transform\u00e1ndose, en conformidad con est\u00e1ndares internacionales, en un instrumento heterodoxo que acoja, simult\u00e1neamente, a otros campos del arte.<\/p>\n

Es el cumplimiento conjunto de estos postulados lo que permite hacer presente y p\u00fablica la necesidad cultural de esta instituci\u00f3n.<\/p>\n

\n\n\n
\u00a0<\/td>\n\n

<\/font> Informaci\u00f3n procedente del Museo de Arte Contempor\u00e1neo de Chile
\n<\/font> <\/font>M\u00e1s informaci\u00f3n en la web de la instituci\u00f3n –> <\/font>aqu\u00ed<\/a><\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n

\n\n\n
<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Historia La creaci\u00f3n del Museo de Arte Contempor\u00e1neo (decreto de fundaci\u00f3n, 1946), perteneciente a la Facultad de Artes de la Universidad de Chile, se enmarc\u00f3 en las pol\u00edticas vinculadas al mundo de la cultura que la universidad desarroll\u00f3 a partir de la d\u00e9cada de los 40, gracias al Instituto de\u2026<\/p>\n

Seguir leyendo…<\/i><\/a><\/p>\n","protected":false},"author":75,"featured_media":-1,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[21,22],"tags":[1016,1139,1013,1071,1009,1121,1104,1017,1056,1148,1138,1021,1064],"class_list":["post-120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instituciones","category-museos","tag-arte","tag-artes","tag-ciencia","tag-cultivo","tag-cultura","tag-cultural","tag-docencia","tag-historia","tag-museo","tag-museos-2","tag-patrimonio-2","tag-sociedad","tag-universidad"],"yoast_head":"\nEl Museo de Arte Contempor\u00e1neo de Chile - Blog Cultureduca educativa<\/title>\n<meta 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La creaci\u00f3n del Museo de Arte Contempor\u00e1neo (decreto de fundaci\u00f3n, 1946), perteneciente a la Facultad de Artes de la Universidad de Chile, se enmarc\u00f3 en las pol\u00edticas vinculadas al mundo de la cultura que la universidad desarroll\u00f3 a partir de la d\u00e9cada de los 40, gracias al Instituto de\u2026 Seguir 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