{"id":114,"date":"2008-11-25T18:03:09","date_gmt":"2008-11-25T16:03:09","guid":{"rendered":"http:\/\/www.cultureduca.com\/blog\/?p=114"},"modified":"2015-05-21T15:23:33","modified_gmt":"2015-05-21T13:23:33","slug":"el-museo-nacional-del-prado","status":"publish","type":"post","link":"https:\/\/natureduca.com\/culturblog\/el-museo-nacional-del-prado\/","title":{"rendered":"El Museo Nacional del Prado"},"content":{"rendered":"<div id=\"cabeceraTitulo\">\n<h1><font size=\"3\" color=\"#993300\">Historia del Museo<br \/>\n<\/font><\/h1>\n<\/div>\n<div class=\"colCental100Titulo\"><\/div>\n<div id=\"colNormal100\">\n<div id=\"getLeft\" class=\"nomargin\">\n<div class=\"level2colPos1\">\n<p class=\"bodytext\">El edificio que hoy sirve de sede al Museo Nacional del Prado fue dise\u00f1ado por el arquitecto Juan de Villanueva en 1785, como Gabinete de Ciencias Naturales, por orden de Carlos III. No obstante, el destino final de esta construcci\u00f3n no estar\u00eda claro hasta que su nieto Fernando VII, impulsado por su esposa la reina Mar\u00eda Isabel de Braganza, tom\u00f3 la decisi\u00f3n de destinar este edificio a la creaci\u00f3n de un Real Museo de Pinturas y Esculturas. El Real Museo, que pasar\u00eda pronto a denominarse Museo Nacional de Pintura y Escultura y posteriormente Museo Nacional del Prado, abri\u00f3 por primera vez al p\u00fablico en 1819. El primer cat\u00e1logo constaba de 311 pinturas, aunque para entonces en el Museo se guardaban ya 1510 obras procedentes de los Reales Sitios.<\/p>\n<p class=\"bodytext\">Las valios\u00edsimas Colecciones Reales, germen de la colecci\u00f3n del actual Museo del Prado, comenzaron a tomar forma en el siglo XVI bajo los auspicios del emperador Carlos V y fueron sucesivamente enriquecidas por todos los monarcas que le sucedieron, tanto Austrias como Borbones. A ellos se deben los tesoros m\u00e1s emblem\u00e1ticos que se pueden contemplar hoy en el Prado, tales como El jard\u00edn de las Delicias de El Bosco, El caballero de la mano en el pecho de El Greco, El tr\u00e1nsito de la Virgen de Mantegna, La Sagrada Familia conocida como \u201cLa Perla\u201d de Rafael, Carlos V en M\u00fclhberg de Tiziano, El Lavatorio de Tintoretto, el Autorretrato de Durero, Las Meninas de Vel\u00e1zquez, Las tres Gracias de Rubens o La familia de Carlos IV de Goya.<\/p>\n<dt>\n<div align=\"center\">\n<font size=\"2\" color=\"#993300\">Edificio Villanueva, Puerta de Vel\u00e1zquez, (fachada Paseo del Prado)<\/font><\/div>\n<\/dt>\n<p class=\"bodytext\">Del Museo de la Trinidad llegaron importantes pinturas como La Fuente de la Gracia de la Escuela de Jan Van Eyck, Auto de fe presidido por santo Domingo de Guzm\u00e1n de Pedro Berruguete y los cinco lienzos procedentes del Colegio de do\u00f1a Mar\u00eda de Arag\u00f3n de El Greco. Del Museo de Arte Moderno proceden gran parte de los fondos del siglo XIX, obras de los Madrazo, Vicente L\u00f3pez, Carlos de Haes, Rosales y Sorolla.<\/p>\n<p class=\"bodytext\">Desde la fundaci\u00f3n del Museo han ingresado m\u00e1s de dos mil trescientas pinturas y gran cantidad de esculturas, estampas, dibujos y piezas de artes decorativas por Nuevas Adquisiciones, en su mayor\u00eda donaciones, legados y compras. Las\u00a0 Pinturas Negras de Goya llegaron al Museo gracias a la donaci\u00f3n del Bar\u00f3n Emile d\u2019Erlanger en el siglo XIX. Compras muy interesantes en los \u00faltimos a\u00f1os han sido <em>F\u00e1bula<\/em> y <em>Hu\u00edda a Egipto<\/em> de El Greco, en 1993 y 2001, <em>La condesa de Chinch\u00f3n<\/em> de Goya en el 2000 y <em>El barbero del Papa<\/em> de Vel\u00e1zquez en el 2003. Numerosos legados han enriquecido los fondos del Museo, tales como el Legado de don Pablo Bosch con su magn\u00edfica\u00a0 colecci\u00f3n de medallas, el Legado de don Pedro Fern\u00e1ndez Dur\u00e1n, con su ampl\u00edsima colecci\u00f3n de dibujos y artes decorativas, y el Legado de don Ram\u00f3n de Errazu con pintura del siglo XIX.<\/p>\n<\/div>\n<p class=\"level2colPos1\">Tanto la colecci\u00f3n como el n\u00famero de visitantes del Prado se han incrementado enormemente a lo largo de los siglos XIX y XX, por lo que el Museo ha tenido que ir acometiendo sucesivas ampliaciones en su sede hist\u00f3rica hasta agotar totalmente las posibilidades de intervenci\u00f3n sobre este edificio. Por este motivo, el Prado se ha visto obligado a buscar el camino de su actual ampliaci\u00f3n mediante una soluci\u00f3n arquitect\u00f3nica de nueva f\u00e1brica situada junto a la fachada posterior de su sede tradicional y conectada con \u00e9sta desde el interior.<\/p>\n<p align=\"center\" class=\"level2colPos1\">\n<div class=\"csi-textpic csi-center csi-below\">\n<div class=\"csi-text\">Paralelamente a la ejecuci\u00f3n de su \u00faltimo y m\u00e1s ambicioso proyecto de ampliaci\u00f3n (2001-2007), el Prado ha iniciado una etapa de modernizaci\u00f3n cuyo definitivo impulso tuvo lugar en 2004 al aprobarse un cambio de r\u00e9gimen jur\u00eddico y estatutario basado en la necesidad de flexibilizar la gesti\u00f3n del Museo, agilizar su funcionamiento e incrementar su capacidad de autofinanciaci\u00f3n. Este cambio de estatus se hizo efectivo a trav\u00e9s de la Ley reguladora del Museo Nacional del Prado aprobada en noviembre de 2003, como primer paso, as\u00ed como en el posterior desarrollo de la misma a trav\u00e9s de un Estatuto sancionado por Real Decreto de 12 de marzo de 2004.<\/div>\n<div class=\"csi-text\"><\/div>\n<\/div>\n<div class=\"level2colPos1\">\n<div align=\"center\">\n<table border=\"0\" width=\"500\" cellPadding=\"10\" cellSpacing=\"0\" height=\"10\">\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<div align=\"center\">\n<table border=\"0\" bgColor=\"#e9e9d1\" width=\"500\" cellPadding=\"4\" cellSpacing=\"0\">\n<tr>\n<td>\n<p align=\"left\">\u00a0 <img loading=\"lazy\" decoding=\"async\" border=\"0\" align=\"absMiddle\" width=\"15\" src=\"http:\/\/www.natureduca.com\/logos\/logo_infoblog1.gif\" height=\"15\" \/><font size=\"2\" color=\"#993300\"> <\/font><font color=\"#9b4e00\">Informaci\u00f3n procedente del Museo del Prado<\/font><br \/>\n\u00a0 <img loading=\"lazy\" decoding=\"async\" border=\"0\" align=\"absMiddle\" width=\"15\" src=\"http:\/\/www.natureduca.com\/logos\/logo_infoblog2.gif\" height=\"15\" \/><font size=\"2\" color=\"#993300\"> <\/font><font color=\"#9b4e00\">M\u00e1s informaci\u00f3n en la web de la instituci\u00f3n:<\/font> www.museodelprado.es<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<div align=\"center\">\n<table border=\"0\" width=\"500\" cellPadding=\"10\" cellSpacing=\"0\" height=\"10\">\n<tr>\n<td><\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div align=\"center\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Historia del Museo El edificio que hoy sirve de sede al Museo Nacional del Prado fue dise\u00f1ado por el arquitecto Juan de Villanueva en 1785, como Gabinete de Ciencias Naturales, por orden de Carlos III. No obstante, el destino final de esta construcci\u00f3n no estar\u00eda claro hasta que su nieto\u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/natureduca.com\/culturblog\/el-museo-nacional-del-prado\/\">Seguir leyendo&#8230;<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":75,"featured_media":-1,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_226634691_226634691":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","footnotes":""},"categories":[21,22],"tags":[1016,1139,1013,1009,1017,1142,1056,1025,1085],"class_list":["post-114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instituciones","category-museos","tag-arte","tag-artes","tag-ciencia","tag-cultura","tag-historia","tag-ley","tag-museo","tag-rosa","tag-rosal"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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